Indigenous and People of Colour forum
Tuesday, November 2, 2010
Unseen Visions
I am waiting for my father to come out from an operation for cataracts in his left eye.
It is the first time I have had to fill a caring role for one of my parents. My father had to abstain from food and water since 2am this morning. I was parched when I woke up, I didn’t want to dwell too much about how starved and thirsty he must be feeling, under the Western Australian sun, already so harsh at eight in the morning.
The nurse asks if I will be the one to care for him tonight. I say, ‘Yes’, without hesitating. This surprised me. Me? Care for him? He was the one paying for my dresses just last night! What do I know about caring for him?
Nonetheless, I say, ‘Yes.’
He puts on a gown and disappears into the care of strange withered white men with hands I hope are sturdier than they look.
As I wait, my eyes, thirty-six years younger than those of my father’s, glide along the room.
On the walls are framed paintings of E. Van Wilgenburg’s experience of Macular Degeneration, an eye condition that is the leading cause of blindness in Australia. I am wholly unfamiliar with it, but I gain an ironically visual sense of the condition, through the paintings on the wall.
There are ink washes of darkness, surrounded by a cooling aqua blue, reminiscent of monochromatic black holes that feature in my nightmares from time to time. In one painting, Wilgenburg has depicted fleeting bright lights not unlike the clearest pictures of young stars. In another painting, Wilgenburg drew a meticulous golden pond underneath a mottled maroon sky, a vision generated post-surgery. On another canvas, in place of darkness, we see aurora borealis, quickly replaced by mysterious dancing orbs.
It is of some consolation to me that here is one person who created some wondrous art through their experiences of becoming temporarily ‘blind’. Their paintings are a testament to the variety of visions that they encountered in ‘losing’ their eyesight.
Contrary to my belief that becoming blind plunges you into a world of darkness, the journey for Wilgenburg meant that they were privy to visions that everyone else was excluded from seeing. Wilgenburg had an ever-evolving canvas stretched over their pupils and irises. They couldn’t see what other people were seeing: grey asphalt, electric poles, corporate slogans on billboards… More importantly, no one else could see the miracles they were beholding everyday, without even having to open their eyelids.
It is interesting that I myself have just finished performing in Blind, As you see it, a hybrid physical theatre and puppetry performance based on the experiences of people losing their eyesight, created by Michal Imielski. Here was another example of the creation of something beautiful out of painful and emotionally exigent experiences.
What a silver lining! I wonder whether my father and I will find our own silver lining through this new stage of our father-daughter relationship?
Tuesday, July 13, 2010
Public Forum: 3376km: a long haul for nuclear waste
For the last four years, Traditional Owners of Manuwangku (Muckaty) have been speaking out against federal government plans for a radioactive waste dump on their country, 120 km north of Tennant Creek in the Northern Territory.
In late July a group of senior men and women from Muckaty will travel to Sydney and Wollongong to hold public meetings and meet with trade unions and other supporters.
These meetings will also launch the 2010 Nuclear Freeways project, a joint endeavour of Friends of the Earth Sydney and Melbourne. The project is part of the broader campaign to prevent the federal government imposing a nuclear waste dump on unwilling communities in the Northern Territory. The project is focussed on supporting communities along potential transport routes between the main waste producer - the Lucas Heights nuclear plant in Sydney - and the NT.
Speakers include:
Muckaty Traditional Owners Dianne Stokes and Mark Lane
Fire Brigade Employees’ Union NSW Secretary Jim Casey
Human Rights Lawyer George Newhouse
Monday, May 24, 2010
Call for submissions: Zine on identity and experiences of oppression
Zine on “Identity and Experiences of Oppression”
This zine is to create a space for people who experience social and
systemic oppression, for people who identify their own oppressive and
privileged position, people who experience being oppressed and being
oppressive, to share their experiences on how their social identities
shape these experiences. For there to be talk about the intersections of
identities and how these leads to the experience of multiple oppressions
or being privileged and oppressive in more than one way, how people
reflect experiencing oppressions and oppressing others. Many of these
experiences are silenced, ignored and invalidated, and there aren’t enough
spaces to critically share these experiences. So that’s why these zine is
being made!
Send essays, articles, poetry, lyrics, artwork, photography, mind maps,
whatever you want!
The deadline for submissions is on the 13th of August. You can submit,
write, ask question, and let me know your writing something at:
libertario_lucha@riseup.net
En Solidaridad, Amor y Rabi(A)
Benjamin Beracasa
Monday, April 12, 2010
Working definitions from our Intro to POC politics workshop
The term ‘person of colour’ is a self-identifying, political identification. This political identification is not based on a person’s skin colour – we come in all different shades, and people of colour are generally not of European descent. In Australia, many Indigenous peoples reject the term people of colour. Moreover people of colour politics strive to recognise how racism, white supremacy and colonialism affect the daily lives of people of colour and Indigenous peoples.
A person of colour’s politics, like everyone else’s, will develop differently and at the person’s own pace. Yet in an Australian context, there is the move to recognise the sovereignty of Indigenous peoples, to recognise that racism affects various racialised groups differently, and to work strategically together because racism affects us all.
People of colour! We are sex and gender diverse, we are cisgender; our sexualities are myriad; we are religious, we are atheist and agnostic; we are radical, progressive and conservative; we are from the Global South and from the Global North; we are from all different class backgrounds; we are temporarily abled, we have disabilities; we work in a variety of professions and occupations, some of which are heavily marginalised like sex work, factory work, and dressmaking in the home. We have a voice, we are developing our voices, we sometimes keep quiet to live and breathe in peace – but one thing is for sure, – none of us need saving.
Who is a WOC?
The term ‘women of color’ was first used regularly to describe feminist women in the USA in the 1970s. Social justice movements in the 1950s and 60s such as the Civil Rights movement, Chicano/a movement, and the feminist movement had left a number of women in them feeling unsatisfied. Black feminists, Asian feminists, Native American feminists, and Chicana feminists had been struggling for decades and were heavily involved in social justice movements of the 1950s and 60s, yet found themselves marginalised. Racial justice movements were exceedingly male-dominated and sexist, while the feminist movement was dominated by middle-class white women who tended to perpetuate racism and classism.
Women of colour, sometimes calling themselves Third World women, began to work together across their communities on issues such as reproductive justice, abuse by the welfare system, urban poverty, and state violence. In an Australian context women of colour can feel marginalised from the mainstream feminist movement and have been working together to effect change.
A woman of colour is any person who identifies as a woman and who is oppressed by both racism (white supremacy, or colonialism/imperialism) and sexism (patriarchy) and if she is a trans woman by trans*phobia. Women of colour began to refer to this nexus of oppressive forces as ‘intersectionality’. The concept of intersectionality allows women of colour to discuss the unique perspectives on social inequality that different women have. Queer women, disabled women, trans women and poor/working-class women have contributed a great deal to the women of colour movement. The activism of women of colour attempts to focus productively on differences, and avoids ranking oppressive forces or trading one off against another such as racism or sexism or trans phobia. Each woman’s circumstances are considered important to forming political solutions.
Who is a person of colour who is sex and gender diverse (SGD)?
To be sex and gender diverse means that there are many genders and sexes besides the gender binary of woman and man and masculine and feminine that should be recognised. Thus SGD people of colour face racism, white supremacy and colonialism and non-recognition, invisibility and exclusions because society does not cater to the needs of SGD people of colour in its narrow two-gendered world. SGD people of colour also face violence in high numbers.
Sunday, April 11, 2010
F Conference (10-11 April, NSW Teachers' Federation)
Why is feminism relevant?